David F. Sandberg, 2016, USA
Expanded from David F. Sanberg’s short film whose problems (what, you just go to bed?) is fairly forgivable in a short format. The scares here are fine – there’s a lot of mileage to be achieved from silhouettes with glinting eyes – and it explores the possibilities of multiple light sources well, and it utilises that staple James Wan trick efficiently (now it’s there; now it’s not; now it’s there – but closer (loud music sting)!). Of course, why ghosts sometimes need to squat down (to be scary, presumably), or why Diana is carving her name in the floor and how she can suddenly make doors unopenable or why her footfalls can suddenly be heard (to be scary, presumably) is never quite explained (she’s supernatural mumblemumble) – but we can go with that. But in expanding the short film and a back-story is apparently called for, ‘Lights Out’ establishes how it then means to go on within the first half hour: with weak and ridiculous exposition. Typically, the cast are agreeable enough but they ultimately have scraps to work with.
The weakness of the script becomes more problematic when it’s obvious that Diana is a manifestation of the mother Sophie’s mental illness. The solution to this then is obvious, and the film goes through with the logical conclusion, but this is also cruel. The solution to mental illness is suicide? Perhaps Eric Heisserer and Sandberg’s script thinks it is being shocking and hard-hitting, but it just comes over as thoughtlessly mean. Enough to be insensitive and therefore offensive.